Released: 20th March 1988
1. Can I Play With Madness (Smith, Dickinson, Harris)
2. Black Bart Blues (Harris, Dickinson)
3. Massacre (Lynott, Gorham, Downey)
Can I Play With Madness was a very commercially successful single that debuted at number four and rose to number three in the U.K. charts. Perhaps this is partly because the song was a bit more "accessible" than most of Iron Maiden's material, but whether or not that is a good thing is an open question. Certainly it resulted in greater public and media exposure for Iron Maiden, propelling them to what was probably the peak of their popularity.
Rod Smallwood's comments are taken from the Best Of The B'Sides album booklet included in the Eddie's Archive box.
Can I Play With Madness (Smith, Dickinson, Harris)
This is the same version as the one that appears on the Seventh Son Of A Seventh Son album.
Black Bart Blues (Harris, Dickinson)
Could this be Black Bart? This is a light-hearted little song about an incredibly annoying groupie nerd who gets on Maiden's tour bus, and whom the band introduce to Black Bart. The question is, what is the 'Black Bart Blues'? The original Black Bart was a stagecoach robber in the American West who would take the loot and leave a poem in its place. But Iron Maiden's Black Bart was actually a suit of armour that rode at the back of the Maiden's tourbus.
The song itself is fairly average for a B-side, but included at the end of the song is a whole sequence of short clips of Nicko that were taken during the recording of the Seventh Son Of A Seventh Son album. These clips are very funny and prove without anymore doubt that Nicko is stark raving mad!
Here is the real story of the infamous Black Bart, as told by Bruce Dickinson himself on his official website:
"Black Bart was a moment of madness. We were driving with our tour manager in Florida in about 1983, living the American Dream in an open-topped Ford Thunderbird. Suddenly we passed this petrol station with three suits of armour standing outside. I went: 'Stop! We have to get that suit of armour!' It was totally surreal a petrol station with a suit of armour for sale. Of course, I went in and found the thing was all welded together, was as cheap as shit and didn't move, but I wanted it even more cos it was so tacky!
"I left Black Bart in the back lounge of the bus where I used to sleep. The back lounge, of course, is where most of the nefarious shagging went on in the middle of the '80s, so that's how 'Black Bart Blues' (Maiden B-side) came about. He saw the lot. The line was, I think: 'Suspenders and suspension/Medieval (k)nights in Tennessee'."
This was a song written about Bruce's suit of armour called Black Bart, which was kept in the back lounge of the tour bus! Great songs are made of this!!
Rod Smallwood
Massacre (Lynott, Gorham, Downey)
Thin Lizzy Johnny The Fox 'Massacre' was originally written and recorded by Thin Lizzy and appeared on their 1976 album Johnny The Fox. It is a very good song whose intelligent lyrics are characteristic of Thin Lizzy and also of Iron Maiden, whose style has been largely influenced by Thin Lizzy and similar bands of 1970s.
The song itself is once again about the famous charge of the Light Brigade during the Crimean War, like 'The Trooper' on the Piece Of Mind album. Although this particular song hasn't got the galloping power of 'The Trooper', it nevertheless remains a brilliant piece.е.
Released 1st August 1988
1. The Evil That Men Do (Smith, Dickinson, Harris)
2. Prowler '88 (Harris)
3. Charlotte The Harlot '88 (Murray)
The Evil That Men Do did almost as well as Can I Play With Madness, debuting at number six and rising to number five in the U.K. charts. But unlike 'Can I Play With Madness', 'The Evil That Men Do' is a genuine Maiden classic which has no commercial elements whatsoever. Perhaps its success as a single can be partly attributed to its B-sides, which are re-recorded versions of the early Maiden classics 'Prowler' and 'Charlotte The Harlot'.
Rod Smallwood's comments are taken from the Best Of The B'Sides album booklet included in the Eddie's Archive box.
The Evil That Men Do (Smith, Dickinson, Harris)
This is the same version as the one that appears on the Seventh Son Of A Seventh Son album.
Prowler '88 (Harris)
This is a studio re-recording of the classic track from the Iron Maiden album and The Soundhouse Tapes, using the 1988 Iron Maiden line-up. Other than Bruce's vocals and improved production quality, this re-recording isn't too different from the original version. The guitar sound seems a bit fuller and less raw, but the song retains its original energy.
Such a great song on the first album as you will all know Steve wasn't happy with the production on the first album so we did a cracking up to date version.
Rod Smallwood
Charlotte The Harlot '88 (Murray)
This is also a studio re-recording of 'Charlotte The Harlot' with the 1988 Maiden line-up. It doesn't change much from the original version, which should probably have been left alone.
The music for Charlotte came from a few riffs and melodies that Dave Murray glued together back in the late 70s. Again it was a re-recording of the classic from the first album.
Released: 7th November 1988
1. The Clairvoyant (live) (Harris)
2. The Prisoner (live) (Smith, Harris)
3. Heaven Can Wait (live) (Harris)
The Clairvoyant single is a special treat, because all of the tracks on the single are great recordings from the legendary Monsters Of Rock concert at Donington Park recorded on 20th August 1988. Consequently, this CD is one of the major highlights of The First Ten Years box set. The single made it to number six in the U.K. charts.
